Marvin Tate
While They Were Sleeping
Welcome to the virtual exhibition While They Were Sleeping by Marvin Tate.
In order to fully experience this show, please follow these steps:
Step 1: Launch the music by playing the detail from the track The Process by Marvin Tate & Joseph Clayton Mills
Step 2: Click on the image to see the works up close
Step 3: See the short film below presenting the making of select pieces on Marvin Tate's back porch
Step 4: Read Marvin Tate's short biography
Step 5: Set up an appointment to see / acquire a piece by sending and email
Found objects on canvas 24 x 24 inches / $1,000
Cork and spray paint 13 x 50 inches / $1,200
Marvin Tate / Cork, spray paint and found objects / $950
Found objects on canvas 24 x 24 inches / $1,000
Born in Chicago on December 27, 1959, Marvin Tate is a noted self-taught artist from Chicago. He is known for his biographical art in the form of assemblage, portraits and landscapes composed of found objects and fragments from everyday life. A North Lawndale native, Tate grew up in a home without a TV or radio, where the family entertained one another with songbooks and reading aloud. Tate remembers hours spent exploring abandoned buildings, walking the streets of changing neighborhoods and playing in his mother’s closet, all existential journeys filled with fear, excitement and materials that would later inform his work. Finding beauty in obscure settings is a major theme in Tate’s narrative, which speaks of personal and family history while addressing a broader collective memory through social and political commentary.
Assemblages are made up of preformed natural or manufactured materials, objects, or fragments not intended as art materials. The inclusion of real objects and materials both expand the range of artistic possibilities and attempt to bridge the gap between art and life.
Curator William Seitz once wrote: “Every work of art is an incarnation (personification): an investment of matter with spirit. The term assemblage has been singled out with this duality in mind, to denote not only a specific technical procedure and form used in the plastic arts, but also a complex of attitudes and ideas. (…).”